When Ram Mohammad Thomas, an orphaned, uneducated waiter from Mumbai, wins a billion rupees on a quiz show, he finds himself thrown in jail. (Unable to pay out the prize, the program’s producers bribed local authorities to declare Ram a cheater.) Enter attractive lawyer Smita Shah, to get Ram out of prison and listen to him explain, via flashbacks, how he knew the answers to all the show’s questions. Indian diplomat Swarup’s fanciful debut is based on a sound premise: you learn a lot about the world by living in it (Ram has survived abandonment, child abuse, murder). And just as the quiz show format is meant to distill his life story (each question prompts a separate flashback), Ram’s life seems intended to distill the predicament of India’s underclass in general. Rushdie’s Midnight’s Children may have been a model: Ram’s brash yet innocent voice recalls that of Saleem Sinai, Rushdie’s narrator, and the sheer number of Ram’s near-death adventures represents the life of the underprivileged in India, just as Saleem wore a map of India, quite literally, on his face. But Swarup’s prose is sometimes flat and the story’s picaresque form turns predictable. Ram is a likable fellow, but this q&a with him, though clever, grows wearying.

Swarup’s inventive debut traces the fortunes of Ram Mohammad Thomas from “Asia’s biggest slum” to his sudden acquisition of enormous wealth as the biggest winner on the popular quiz show, Who Will Win a Billion? A poor, uneducated waiter, Ram is arrested after the final episode in the belief that he must have cheated. In jail he shares his hardscrabble life with his lawyer: his abandonment at birth in a used clothing bin, the church orphanage where he was dubbed an “idiot orphan boy,” the foster home where children were purposely crippled and forced to beg, the estate of an Australian diplomat who was really a spy, the home of an aging Bollywood actress, and his meager waiter job. Each chapter in Ram’s life provided him with a correct answer on the show, as a la Forrest Gump, he has been in the right place at the right time. Ram’s funny and poignant odyssey explores the causes of good and evil and illustrates how, with a little luck, the best man sometimes wins. Deborah Donovan

Customer Reviews

Slumdog review
I was instantly transported to the teaming streets of Mumbai. This story is brimming with color, sound and Indian texture. The age old struggle to find love and hold on to hope in the midst of the poverty of India’s slums will captivate your imagination. Let the audiobook experience take you away to the fascinating dichotomy that is modern day India, a place both weighed down by its past and struggling to move into the future.

It is a documentary, not fiction
I have seen the movie first and read the book latter. Loved both of them. Which version is closer to reality? Both! Frankly, the director retold the story in a version palatable to the west.

First, why do I consider both versions to be closer to reality – In the book, there is a gay priest and a priest with a secret marriage. My hometown in Andhra Pradesh, India had both of them or quite a few of them. As kids, we were aware of teenagers getting gifts and foreign cigarrettes from this gay italian priest. And there is the priest who had sexual relations with the maid and supporting her family with cash. In the movie, the girl Latika getting scarred on her face, although throwing acid is more common in real life.

Vikas Swarup choose to tell the story in a very plain language, the few metaphors used in the book, I suspect were slipped in by the editors. He borrowed the story telling style from RK Narayan’s “Guide”, which starts in the middle of the story line, goes the beginning and then the end. Vikas took it to a whole new level by weaving the story between different episodes of the protagonists life in 13 chapters. The author included plenty of observations he made in his life. Every Indian has seen domestic child labor (as maids), blind kids begging on a busy street corner, police brutality etc. There is so much misery around, an average indian gets immune to it. Vikas was courageous enought to write about it and tell a gripping story too.

The author also borrowed a few items from Indian movies, like the double headed coin (from the movie Sholay). Is Neelima Kumari the real life actress Meena Kumari, or is it Parvin Bhabi who committed suicide? My suspicion is, the author borrowed a lot from his observations as a diplomat, world traveller and as an Indian. He wove them into a beautiful story, a wonderful fabric with many colors, details and designs.

It is a shame that this books did not win awards. Boring, long drawn books by indian authors won pulitzers. I guess, they were heavily promoted or had guiding hands from their parents who were 3rd class writers. It also tells a lot about the book reviewers. It took Danny Boyle to recognize the book and create a gem of a movie.

Having said that, except the story telling style, there is no commonality between the movie and the book. The book is very secular, from the protagonist’s name “Ram Mohammed Thomas” to the misery around him. Secular that there is misery and deceit from the priests to the nefarious creatures who blind children, from westerners to indians, from rich to poor. This is missing in the movie. I suspect the changes were made in the movie for two reasons. One, to make it palatable to the western audience such as removing references to gay priests from England or to australlian diplomats running a spy ring. Second, Lovely Tandon (the co-director) and Anil Kapoor (game show host) Bollywoodised the movie with a “heroine” and also making the role of Prem Kumar the game show host a less nefarious charachter. With the galaxy size egos in Bollywood, it is not unimaginable that Anil Kapoor has demanded a modification of his charachter.

Except for the protaganits winning the money, the movie is a documentary of the plight of the under privlleged kids world wide, not only Indian. It is the story of Ismael Beah in Congo or any other kid in projects close to Manhattan or Chicago.

Two problems with the movie – The scene where Jamaal jumps into human excrement was unnecessary and not in the book. This is what angered most indians, both rich and poor. The second, in all the movies that I have seen so far, only the Hindus are shown attacking Muslims during a religious riot. The truth is, it is more complex. There are idiots on all sides creating trouble for the peace loving majority. I guess, the movie makers are just plain afraid to show a muslim being the perpetrator of a riot.

Other items I see as a correlation to real life are observations from my own experience as a kid: One of my neighbhours, a beautiful young doctor was abused by her husband, a drunk. Only when she committed suicide the rumor spread that she had cigarrette burns all over her body. Second, babies stolen from government hospitals to be sold to beggar mafia, Atleast there are news reports once in a while about stolen babies. You cannot round a busy street without encountering a girl with a drugged baby begging for money. Third, Guides in any tourist spot through out the world giving wonderfully altered versions of the history.

Next, street kids being smarter than kids going to school. There was this nine yeal old banana seller on the street who I met in my hometown a couple of years ago. You should see the sharpness of his mind to be believed, he can not only calculate the profit margin in %, prices, hedging against prices from the wholesale market, interest rates from the money lender a school kid cannot. It is needed for his survival. My family volunteered to pay for his education. He shouted back he makes Rs. 120 a day and has a sick mother, a young sister to feed. Who will earn the money if he goes to school? We tried to talk to him several times after that, but his assessment of the daily needs of his family were as accurate his math.

So, this is a documentary, not a fiction.

Contrast this to booksmart kids from middle class and rich class. It was nicely contrasted in the book, when Akshay a middle class kid knows that there is no Sony PS3 yet (2004), but gives away the survival skill of Ram Mohammed Thomas hiding cash in his underwear.

Great movie, great book.

Now, the ugliest of the ugliest truths, worse than the exploitation detailed in the movie – Child actors who played the roles of Salim and Latika, who were originally from the slums are paid a pittance. Danny Boyle and Fox movies did a PR stunt saying three times the local daily wages was paid. So, is it 150 rupees a day, 3 dollars a day? Sure they can have done a lot better than that. Money deoposited in the bank for the actors to cash out when they turn 18? How much was deposited? The truth needs to come out. The children and their families cannot live in a 6ftx6ft dwelling and lead the same life of daily survival as a challenge, waiting for some one to turn 18.

So, who is the best actor in the movie? The young Salim without any question. Better than Benjamin Button and Milk and 18 year Dev Patel combined. He deserves a better living, atleast after he demonstrated his artistic talent.

The “little guy” wins
What a “feel-good” novel.
Read in one sitting while on vacation in Punta Cana.
It made me really thankful to have been born to my hard-working American parents.

Slumdog Millionaire: A Novel Book detail

• Published on: 2008-11-18
• Original language: English
• Number of items: 1
• Binding: Paperback
• 336 pages

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Danny Boyle (Sunshine) directed this wildly energetic, Dickensian drama about the desultory life and times of an Indian boy whose bleak, formative experiences lead to an appearance on his country’s version of “Who Wants to Be a Millionaire?” Jamal (played as a young man by Dev Patel) and his brother are orphaned as children, raising themselves in various slums and crime-ridden neighorhoods and falling in, for a while, with a monstrous gang exploiting children as beggars and prostitutes. Driven by his love for Latika (Freida Pinto), Jamal, while a teen, later goes on a journey to rescue her from the gang’s clutches, only to lose her again to another oppressive fate as the lover of a notorious gangster.

Running parallel with this dark yet irresistible adventure, told in flashback vignettes, is the almost inexplicable sight of Jamal winning every challenge on “Who Wants to Be a Millionaire?,” a strong showing that leads to a vicious police interrogation. As Jamal explains how he knows the answer to every question on the show as the result of harsh events in his knockabout life, the chaos of his existence gains shape, perspective and soulfulness. The film’s violence is offset by a mesmerizing exotica shot and edited with a great whoosh of vitality. Boyle successfully sells the story’s most unlikely elements with nods to literary and cinematic conventions that touch an audience’s heart more than its head. –Tom Keogh

Customer Reviews

One Of The Most Beautifully Irreverent And Startlingly Original Movies You’re Apt To See
Director Danny Boyle’s ‘Slumdog Millionaire’ is a touching, moving and completely riveting cinematic experience. I was blown away not just by its poignant story, but also by its striking contrast in cultural and societal differences from our own here in the Western Hemisphere. In addition to its compelling screenplay, it’s also beautifully photographed and captures the backdrop of the dauntingly wretched conditions in the slums of modern-day India as meticulously and realistically as any movie can and probably ever will. The musical score is quite amazing and unlike any other I’ve ever heard, which hilights several intense dramatic sequences of chasing and running.

The story opens up with Jamal Malik (Dev Patel), a seemingly uneducated teenager from the slums of Mumbai who gets a much coveted, one-in-a-million chance to escape from his hopelessly indigent existence by appearing on India’s ‘Who Wants To Be A Millionaire?’ gameshow where contestants have a chance to win monetary prizes by answering a variety of trivia questions. He’s had an unprecedented hot-streak on the show thus far by answering a rather difficult and seemingly esoteric series of questions and in the movie’s opening moments, Jamal is just one question shy of winning the grand prize of 20,000,000 rupees. But the show is out of time before he has the opportunity and must reconvene the following night. Following the episode’s airing, Jamal is arrested and detained after the police and the show’s host (Anil Kapoor) suspect him of cheating. While in poilce custody, Jamal recounts through a series of vivid flashbacks to his childhood that brilliantly reveal how he knows the answers to all of the questions he has answered correctly.

We learn that as children growing up in the squalid, nightmarish poverty of Mumbai’s slums, Jamal and his older brother, Salim, were orphaned at a young age when their mother was killed in an attack from an angry Hindu mob on their shantytown. Together with their female companion, Latika (whom Jamal loves even as a child), the three band together as a scrappy, self-styled version of ‘The Three Musketeers’, their favorite literary work from school. They stick together and endure a wretched existence on the muddy streets that is at times despondent and depressing. But this is where the movie’s message of hopefulness comes in as the three are a plucky group who display courageous fortitude and spirited resourcefulness despite their trying circumstances. Jamal and Salim become separated from Latika after escaping from a nefarious child exploiter where the two subsequently take to riding the many railroad trains crisscrossing India. The trains become a source of livelihood for the two brothers as they manage to eek out a scant subsistence on the trains by peddling to, hustling and in some cases outright stealing from the trains’ passengers. There’s even a rather funny passage in this part of the movie where Jamal and Salim end up at the Taj Mahal where they hustle tourists as faux tour guides and even steal their shoes to sell on the streets! The two brothers continue this for several years until they eventually end up in the booming metroplois of Bombay. Here, after becoming employed as a tea server at a mega communications call center, Jamal then gets the opportunity at appearing on the gameshow, something every teenager and young adult in his society longs for. It’s at this moment the story segues back into the point we originally see in the movie’s beginning. After being grilled and harshly interrogated by the police, Jamal is set free and allowed to continue on his final night of the gameshow after he becomes a national celebrity and hero to the public who demand to see him get his chance to win the grand prize. But having not seen his long-lost love Latika (Freida Pinto) in years, his shot at winning the jackpot is more about reuniting with her than it is about wealth.

Slumdog Millionaire is a love story at its core, but there are no sweeping romantic locations and visuals. Jamal, Salim and Latika grow up in a level of squalid, forlorn poverty that makes even the most impoverished American ghettos look like a vision of paradise by comparison. Still, it’s surprising how much their culture has been influenced (or polluted) by the West. Interestingly enough, the poor of India are seeming to be as obsessed with gameshows and tv as we are, possibly because it’s their sole lifeline to a better existence so few in their society get to experience. A wonderful movie that inspires and teaches us that true knowledge and wisdom comes not from age or education, but from the sum total of our life experiences. A beautifully irreverent and moving cinematic experience with one of the most amazingly original endings and credit sequences I’ve ever seen in a movie. Always interesting and at times fascinating. Quote me on that.

This original film will evoke a schizophrenic mix of emotions like few others
This is a beautiful film. It uses the program ‘Who Wants to be a Millionaire’ as a metaphor to tell the life of an Indian boy born into the shantytowns of Mumbai.

The film does a good job in portraying the poverty of these places, although some who know of this poverty may say it does not go far enough. However, even in this poverty the film provides a moment of emotional power where you are horrified, shocked but also hilariously amused when the boy meets his Bollywood actor idol.

There are also disturbing scenes where the boy, his brother and their friend are duped by a ‘professional begging outfit’. If you ever see street children/adults in the Indian subcontinent again, you will never look on them in the same light.

The film also provides a wider critique of how these people are looked upon by the richer/more powerful classes. It also provides a powerful critique of ‘modern India’ which the trio inevitably get swept up in. Modern India seems to be more about superficial appearances rather than true development.

The film looks at India’s class prejudices, communal violence, poverty and alleged modernisation. Some Indians, who are very patriotic, despise this film because of it. This is a shame because the film could be used as a springboard for the discussion of these issues. The film is not patronising to India, nor does it preach and it certainly does not practise escapism.

For me, the childhood actors really were the stars of the film. They did a fantastic job of maintaining their childhood exuberance despite all that was going on around them.

Ultimately, the film has a happy ending, but you may feel this happiness is tainted by what has gone on prior to that point.

Slumdog Millionaire detail

• Rating: R (Restricted)
• Formats: NTSC, Widescreen

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